The rich text element allows you to create and format headings, paragraphs, blockquotes, images, and video all in one place instead of having to add and format them individually. Just double-click and easily create content.
A rich text element can be used with static or dynamic content. For static content, just drop it into any page and begin editing. For dynamic content, add a rich text field to any collection and then connect a rich text element to that field in the settings panel. Voila!
Headings, paragraphs, blockquotes, figures, images, and figure captions can all be styled after a class is added to the rich text element using the "When inside of" nested selector system.
The rich text element allows you to create and format headings, paragraphs, blockquotes, images, and video all in one place instead of having to add and format them individually. Just double-click and easily create content.
A rich text element can be used with static or dynamic content. For static content, just drop it into any page and begin editing. For dynamic content, add a rich text field to any collection and then connect a rich text element to that field in the settings panel. Voila!
Headings, paragraphs, blockquotes, figures, images, and figure captions can all be styled after a class is added to the rich text element using the "When inside of" nested selector system.
Minespective is a projection mapping artwork that visualizes the complex web of human connections and viewpoints. Selected as one of the 20 finalists for the prestigious Mapp_mtl festival, this project invites viewers to experience a mesmerizing journey through shifting perspectives and interconnected realities.
Minespective's creation was a multi-faceted journey, blending various digital tools and techniques to explore themes of human interconnectedness and diverse perspectives. The project's visual narrative was built upon 3D structures and movements crafted in Blender, enriched with organic, hand-drawn textures created in Procreate, and refined with precise vector work in Adobe Illustrator. This seamless integration of 2D and 3D elements mirrors the interplay of diverse viewpoints in our world, presenting unique technical challenges in the realm of projection mapping. Through dynamic displays of shifting shapes, colors, and patterns, Minespective illustrates how different perspectives interconnect, forming a rich tapestry of human experience. The artwork delves into the multiplicity of human perspectives, the beauty emerging from diversity, and the fluid nature of perception and reality. Overcoming the technical obstacles of blending these elements for large-scale projection required innovative problem-solving, pushing the boundaries of my skills across multiple software platforms and resulting in a fluid, visually striking experience that invites viewers to explore the interconnectedness of individual experiences.
As a finalist in the Mapp_mtl festival, Minespective has garnered attention for its innovative approach to projection mapping. The project has sparked discussions about perception, interconnectedness, and the role of digital art in exploring complex social themes.
Minespective is currently competing for the public's choice award at Mapp_mtl. Your support can help bring this visual spectacle to life on a grand scale!
To vote:
Every vote counts and contributes to the success of this project!
The experience of creating Minespective has opened up new avenues for exploration in my work. I'm excited to further develop the techniques and themes explored in this project, potentially expanding into interactive installations or VR experiences that allow viewers to actively engage with shifting perspectives.
Minespective represents a significant milestone in my career as a digital artist, showcasing my ability to blend various techniques and tools to create a compelling visual narrative. This project has not only pushed my creative boundaries but also deepened my understanding of how art can foster connection and challenge perceptions in our increasingly interconnected world.
